The mighty, mighty Azumi posing with the painting I had done of him earlier this year.
Thursday, September 22, 2016
Sunday, September 18, 2016
sketchbook
Sunday, September 11, 2016
Keira
6x8in., oil on masonite
K: Seriously?
Wwa: yeah.
K: OK. Right now, I feel happy when I give or contribute to other people making a personal discovery they feel good about - whether that is finding a Lego piece for Emile so he can finish his Millennium falcon, supporting my actors though previews as we come to our opening night, or seeing Emile's friends excited at the storm trooper costume we stayed up till 2:00 a.m. making...too cheesy?
Wwa: nope. Thanks
Saturday, September 10, 2016
sketchbook
Sketching at the John St. Roundhouse this afternoon. Wearing black might
make me look artsy, but it is not good attire for sketching especially
without cover. Spent a few hours getting this down and burning my head.
The great thing was this sight was so close to the Skydome that I heard the roar of the crowd when the Jays did something good (they won over the Boston Red Sox and we're one game behind. The rubber match is tomorrow.)
The great thing was this sight was so close to the Skydome that I heard the roar of the crowd when the Jays did something good (they won over the Boston Red Sox and we're one game behind. The rubber match is tomorrow.)
Labels:
John St. Roundhouse,
pen drawing,
sketchbook,
Toronto,
urbansketching
Monday, September 05, 2016
sketchbook
The
last day of a beautiful Labour Day holiday weekend
and I spend it indoors at Future Bakery. (insert eye roll here)
I noticed this person totally engrossed in drawing anime so I thought I'd draw him. Win win.
(Note to self: When hand lettering, pay more attention to spelling and grammar)
I noticed this person totally engrossed in drawing anime so I thought I'd draw him. Win win.
(Note to self: When hand lettering, pay more attention to spelling and grammar)
Labels:
drawing man,
Future Bakery,
sketchbook,
urban sketching
Mouse
Kimchi and I have been living together for 3 years. This is the first mouse she ever caught in that time. IT happened last Friday.
As a proud papa, I thought I'd either bronze the mouse or paint it to immortalize the moment. I went with the latter.
oil on masonite. 8x10in.
I couldn't leave well enough alone. I had to be an "artist". I spent way too much time on this one, which was meant to be a quick study.
Saturday, September 03, 2016
Thursday, August 18, 2016
Friday, July 08, 2016
sketchbook
This was a first today for me at the Bloor Gladstone Library.
As many of you know, the Bloor Gladstone Library is a regular haunt for me to sketch at, particularly the users of the library. Today, as I have done many times in the past, I went after work to sketch library people. Midway through drawing a lady (see below), a librarian came up to me and asked me to stop drawing her because it was an invasion of her privacy. She also mentioned that library policy prohibits taking pictures of people… architecture is good. People, not good. Technically, I wasn’t photographing anyone.
I understand the librarian’s issue with it, but 99% of the time I’m drawing people who are so engrossed with reading, fiddling on their mobile devices or sleeping, that they don’t realize that they are being sketched. Whenever I was “caught”, I’d show them what I did. For the most part they were flattered that I had drawn them. I’ve posted past drawing sessions from the library (all people) on my twitter feed and “likes” have come from the Bloor Gladstone Library account multiple times. If this was an issue, perhaps raising it then would have been the time to do it. I know the account is probably controlled by some tech guy somewhere else, but it gives me mixed messages.
As an artist, this is how I interact with the world. I’m drawn to people and sketching them is my record of that time. Some people write in their journals or keep small momentos from a special moment. This is my way to remember. In the entire eight years I have been sketching in public, this is second time I’ve been asked to stop sketching a person. When asked, I have stopped and apologized. That’s all I could do. I won’t stop drawing people in public, but I guess the Bloor Gladstone Library will only be a place where I borrow books from.
As many of you know, the Bloor Gladstone Library is a regular haunt for me to sketch at, particularly the users of the library. Today, as I have done many times in the past, I went after work to sketch library people. Midway through drawing a lady (see below), a librarian came up to me and asked me to stop drawing her because it was an invasion of her privacy. She also mentioned that library policy prohibits taking pictures of people… architecture is good. People, not good. Technically, I wasn’t photographing anyone.
I understand the librarian’s issue with it, but 99% of the time I’m drawing people who are so engrossed with reading, fiddling on their mobile devices or sleeping, that they don’t realize that they are being sketched. Whenever I was “caught”, I’d show them what I did. For the most part they were flattered that I had drawn them. I’ve posted past drawing sessions from the library (all people) on my twitter feed and “likes” have come from the Bloor Gladstone Library account multiple times. If this was an issue, perhaps raising it then would have been the time to do it. I know the account is probably controlled by some tech guy somewhere else, but it gives me mixed messages.
As an artist, this is how I interact with the world. I’m drawn to people and sketching them is my record of that time. Some people write in their journals or keep small momentos from a special moment. This is my way to remember. In the entire eight years I have been sketching in public, this is second time I’ve been asked to stop sketching a person. When asked, I have stopped and apologized. That’s all I could do. I won’t stop drawing people in public, but I guess the Bloor Gladstone Library will only be a place where I borrow books from.
Sunday, June 26, 2016
sketchbook
The domestic departure lounge at Pearson International Airport. Headed to Kelowna, B.C.
Some passengers within sketching range of me. Beware. I like the mid range distance the best.
The gentleman beside me was sleeping for most of the 4.5 hr. flight. Fortunately there was no one in the middle seat, so I had a full view of him the entire flight. Thank you good sir, for modelling for me.
The quad in which three of my friends and I stayed in at the University of British Columbia, Okanagan campus. Beautiful place.
Labels:
departure lounge,
okanagan valley,
sketchbook,
sleeping man,
UBC
Friday, June 17, 2016
Tuesday, May 31, 2016
Paul
Oil on masonite, 6 x8 in.
Q: What makes you happy?
A: To be stress free.
Q: Have you achieved it yet?
A: No.
Q: Have you achieved it yet?
A: No.
Paul is a general contractor… good luck with the stress, Paul.
Labels:
general contractor,
oil painting,
portrait painting
Sunday, May 29, 2016
Anita
Oil on masonite. 6 x 8 in.
Q: What makes you happy?
A: A good movie that makes me cry. Not like a tear jerker flick, but a film where the story and writing is so seamless that the beauty of the actions that unfurl on screen move me to tears. Catharsis.
Lina
Lina
oil on masonite, 18 x 24 in.
Q: What makes you happy?
A: A force of will and peace of mind.
I can't say enough good things about Lina. We spent the last 4 Sundays getting her portrait done. She was amazing. A mountain. Didn't budge. Thanks, Lina!
oil on masonite, 18 x 24 in.
Q: What makes you happy?
A: A force of will and peace of mind.
And so it begins…
A process shot was taken after each session.
Lina holding the final image.
I can't say enough good things about Lina. We spent the last 4 Sundays getting her portrait done. She was amazing. A mountain. Didn't budge. Thanks, Lina!
Saturday, May 28, 2016
Robert Dunne Salon
Robert Dunne, the proprietor of Robert Dunne Salon, was generous enough to offer me some of his wall space to display some of my paintings. Get a new coif and check them out.
Saturday, May 21, 2016
sketchbook: Quantity over Quality
No
aikido today meant a fulll day of sketching. I knew I wanted to sketch a
lot today. A few things running through my mind while doing this
marathon session. Mr. Warden, my grade 7 art teacher telling us how as
an art student he had his drawings stolen the night before they were due
and he had to wake up early the next day and sketch 20 drawings. John
Wilkenson, my uni art teacher telling
us how he was regularly took an empty sketchbook and filled it in one
afternoon. Terence Van Eslander, my first year design prof. telling us
to draw all our process drawings on sheets of cartridge paper and use
those accumulated sheets as the base for our final drawings.
I guess what I was trying to do today was to have quantity over quality... showing the good, the bad and the ugly.
I guess what I was trying to do today was to have quantity over quality... showing the good, the bad and the ugly.
Thursday, May 19, 2016
sketchbook
Trying to squeeze everything I can out of the Bloor Gladstone Library,
in particular, the people. Thank you, my unsuspecting models... except
for the sleeping subway guy.
Monday, May 16, 2016
sketchbook
I
decided today to broaden my horizons and sketch at the Yorkville
Library. It definitely has a different vibe from the Bloor Gladstone
branch. One thing I noticed immediately was the toddler's sing along
program that was happening as I was there. I would hear the lyrics
(scribbled on the bottom of the page) sung by the librarian and the kids
singing after her.
Labels:
blue pen,
sketchbook,
Toronto,
urbansketchers,
Yorkville Library
Friday, April 29, 2016
Sketchbook
Some after work sketching at one of my regular haunts. I chose to sit in a seat that would allow me to sketch anyone in front of me in profile… an ideal sketching position, I believe!
Answer: https://www.youtube.com/watch?v=MzlK0OGpIRs
Labels:
Bloor/Gladstone library,
blue pen,
sketchbook,
urban sketching
Thursday, April 28, 2016
Opening night, "Come Togther", Propellor Gallery
Tonight was the opening night of the "Come Together" group show at the Propellor Gallery. This is my submission to ti. It's my "A-Z" piece depicting the hands of 26 of my friends, each showing a character in American sign language.
Jane and I in front of her piece, a Frida themed collage. One of the more colourful pieces in the show and one of my favourites. She was the artist who invited me to my very fist show at this gallery. Thanks, Jane!
The marquee (or just signage?) outside of the gallery. Who cares, because that's me! ;-)
Labels:
gallery opening,
painting,
Propellor Gallery,
sign language,
Toronto
Tuesday, April 19, 2016
Thursday, April 14, 2016
Family 1: wife/mother/daughter/sister
Q: What makes you happy?
A: My family, my fur babies, knitting, sleep, sunshine, good food, good friends!
A: My family, my fur babies, knitting, sleep, sunshine, good food, good friends!
Labels:
art,
oil painting,
portrait painting,
smiling face
Twins: Rick 1 + Rick 2
Q: What makes you happy?
A: The unexpected. Contradictions, broken stereotypes, people out of the norm are what make me smile.
Labels:
artwork,
oil painting,
portrait painting,
serious face,
smiling face
Saturday, April 09, 2016
Urban Sketching, Toronto: T.D. Gallery of Inuit Art
I went with the Toronto Urban sketchers to the T.D. Inuit Art Museum. I didn't realize it existed, but it's tucked away in a quiet corner of the TD Tower. It was nice to be around liked minded people for a few hours.
Labels:
blue pen,
sketchbook,
TD Gallery of Inuit art,
urban sketching
Monday, March 07, 2016
Thursday, March 03, 2016
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