Another trip up to my dad's place and that means it's "Stan the Man" time. It's always challenging to sketch my father, but he's always a good sport and doesn't move that often while he watches tv. Thanks, dad.
The intention of these two small pieces was to be quick and loose. I tend to be overly detailed with even small pieces like these and they usually turn out to be tight, lifeless images. Well for these guys, I wanted to complete them in one 3 hour sessions and not to be worried too much about the smaller stuff. It worked with the brussel sprouts but to be honest, the asparagus took two sessions.
The holidays have come and there's not too much time to paint or sketch with all the activities going on, but I did get a chance to sketch my father. Presented here is, "Stan the Man, #2".
It just so happens this is the last spread in my sketchbook which nicely coincides with the end of 2012 (almost).
Happy holidays.
Yesterday I went to the Toronto School of Art for the open figure drawing class. It's been a while since I drew any nudes and it was nice to scrape the rust off from that part of my brain. The models name was Sidney (Or is it, "Syndey"). She was a great model and held some great, dynamic poses for the 1 minute poses (not shown). I'm sure I'll be back for more figure drawing in the future.
The blue arylic paintings were done in the afternoon session. It was one pose for three hours. Fortunately for me I was able to get in two angles. Unfortunately for Sidney, she had to hold it for the three hours. She dozed off a few times during that pose... who wouldn't!
For the first time in many years I went to the Royal Agricultural Winter Fair. It's a chance for urban dwellers to get in touch with their respective inner ruralist. I don't think I actually got in touch with that part of me but I did enjoy seeing all the livestock that were present.
It's been a while since I sketched at the Dufferin Mall food court. So today, I went there and it was packed. I'm not one for crowds but the one upside about this was that I had to share a table with "Gus". Of course nothing comes for free so he had to (unwittingly) pose for me.
After Dufferin Mall and a short walk later, I was at the Bloor Gladstone Library. A nice place to sketch. I'll have to bring a non leaky blue pen with me next time
Well it's that time of year again, when I start looking for warm, public places to sketch in. I returned to one of my favourite haunts: the Bloor Gladstone Library.
I didn't realize that they were closing at 5pm so I had to squeeze in a quick 45 min. sketch. The one good thing about a time constrained drawing like this is that I couldn't be nit picky about everything. In my world a 45 minute drawing is equivalent to a 30 sec. gesture drawing. (yeah, I'm a slow sketcher.)
I tend to sketch my dad whenever I'm up visiting him. The morbid side of me thinks he won't be around for much longer so now's the chance to connect with him on paper. I'm really bad at remembering birthdays and ages, so I think he's 76. Maybe 77... but he doesn't look a day over 60...maybe, 61.
For the last 2 months, I've spent most of my time painting the alphabet in sign language. I've finished all the letters but now I have to assemble it.
I realized last night that not all the panels were exactly 5x7 in. so it'll throw everything off. Fortunately I work at a place that has a table saw.
All glued down, now hand lettering this bugger of a painting. It took longer than I thought it would because not al the pieces were square. A bit of massaging had to happen.
Now that I'm looking at it through the camera's eye, I think need some more contrast in this painting. I had an idea with ths guy when I started it, but it's falling short from what I had envisioned it to be.
Framed and ready to hang in my show/sale.
I find when I say "I experiment", I do not stray far from my figurative approach to painting. I tend to add bits and pieces to something I know how to do. Experimenter? Perhaps calling me a Incremental experimenter would be closer to the mark.
For the last two months I've been painting the alphabet in sign language on these small 5x7 masonite boards. Tonight I finished the paintings with the letter "Z" (how appropriate). I feel happy but I still have a few more steps to call this project complete. I'll be compiling all 26 hands into a larger painting and then painting the individual letters to the matching hands. I see the light!
I see the light. But there's a bit of work yet to be done after I finish the last letter.
I could see the light. Here's the second last letter of the alphabet I have to paint. It's the letter "J" that involves motion to describe the letter. I've painted the start and end points, not I just have to paint the transitional pose.
I've also realized as I progress with this particular project, I'm loosening up and I could definitely tell which hands were painted at the start of this project and which ones were more recent.
Just abut finished the painting on the left. A few shadows to add and some hi lites. The hands are almost done. @ more more hands to go, but in actuality that means 6 more paintings. After I get the hands done, I'll be assembling them into a larger piece and then I'll paint the corresponding letters.
A progression detail of the letter "Y". I have a few more details to add to this image but it's pretty much done. This makes 20 letters. Almost there!
19 letters at this point. Some more dry than others but all awaiting compiling into a larger image. The final step will be to paint the letter to the corresponding hand.
In my current art practice, I am exploring the subtitles of oil paints, particularly within the the realm of portraiture.
My focus is on the human face because that's what we all see everyday. It's there ripe for the picking.